▪️Po-Yu Lin, Ceramic Culture Master of Eastern Philosophy.

Since university, Mr. Lin has been determined to create ceramics. He studied in the sculpture area of the Department of Fine Arts and the Institute of Ceramic Art under the tutelage of Mr. CHUNG, LIN HSU and Dr. CHING, YUAN CHANG. He also has practiced the art of ceramics at the world-renowned Yingge Ceramic Museum for more than 20 years, and has accumulated a solid foundation of skills through his tremendous efforts.

The unique sense of hand-kneading and sculpting techniques, the precise control of glaze and kiln temperature, combined with keen insight and life perception, have created a philosophical work. He has won many awards in Ceramic art, and was often invited to represent Taiwan in international exhibitions and collections. Master Po-Yu Lin has become an important and well-known figure in the professional field of ceramic creation. 

"Inspired by life and death, mother nature and belief, we tell stories with our fingertips." The delicate mastery of organic texture, consideration of plants' growth, and wild and unrestrained brushwork are hallmarks of his work.

Repeated coloring and multiple firings reveal an unspeakable depth of color and the unique treatment of glazing techniques on the masterpieces. Master Lin's sincere, elegant, and natural works are full of vigor, and his abstract and figurative masterpieces are rich in Zen atmosphere. 

▪️陶藝界的東方哲學大師 – 林博裕 。

自從大學，林老師 便堅定陶藝創作的唯一志向。美術系雕塑組、陶瓷藝術研究所，拜學於師承徐崇林，張清淵老師。並在揚名全球的“鶯歌陶瓷博物館”駐館修行，長達20年以上積攢千錘百煉的紮實功底。

獨特手捏陶工法與雕刻技術，釉藥、窯溫的精準掌控結合敏銳的洞察力與生命感悟，造就充滿哲學內涵的逸品。囊括陶藝大獎，作品多次獲邀代表台灣至國際展覽、典藏。林博裕 大師在陶瓷創作的專業領域，儼然是必需知曉的指標性人物。

『靈感來自生死、自然、信仰，用指尖訴說故事。』細膩掌握生物肌理，顧及植物長勢，筆觸中狂野奔放卻兼具沉著內斂。反覆繪色、多次窯燒呈現難以言述的深奧色彩，釉藥的處理上亦獨樹一幟。

真誠動人、幽雅自然卻後勁十足，以抽象手法具象表達思維的作品穠纖有致，極富詩意。

▪️陶芸界の東方哲学師匠-林博裕。

早くも大学時代より、林先生は陶芸創作を唯一の志としておられ、美術学科彫刻科、陶芸大学院では徐崇林先生及び張清淵先生のもとで学びました。世界的に有名な“鶯歌陶瓷博物館”にて20年以上修行し、強固な基盤を築き上げました。

独特の手捏ね感と彫刻の技術、釉薬に窯の温度を正確に制御し、鋭い観察力と生命感を結び付けた結果、哲学に満ち溢れた逸品が作り出されます。陶芸大賞を始め、作品は幾度も台湾を代表して国際展、コレクションに招かれました。林博裕先生は陶芸創作の専門分野において大変有名な方であります。

『インスピレーションは生死、自然、信仰から来るものであり、指先で物語を語る』。繊細に生物の肌を捉え、植物の生長を考慮し、筆運びは荒々しく奔放でありながらも、沈着で控えめ。絵付けを重ね、幾度も窯焼きを繰り返すことで、奥深い色彩が表れ、釉薬の扱い方も独創的です。